Posts Tagged ‘irony’

Great Gatsby: ‘Chapter Nine’ excerpt (ii)

Tuesday, March 17th, 2009

“Most of the big shore places were closed now and there were hardly any lights except the shadowy, moving glow of a ferryboat across the Sound.  And as the moon rose higher the inessential houses began to melt away until gradually I became aware of the old island here that flowered once for Dutch sailor’s eyes – a fresh, green breast of the new world.  Its vanished trees, the trees that had made way for Gatsby’s house, had once pandered in whispers to the last and greatest of all human dreams; for a transitory enchanted moment man must have held his breath in the presence of this continent, compelled into the an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.

And as I sat there brooding on the old, unkown world, I though of Gatsby’s wonder when he first picked out the green light at the end of Daisy’s Dock.  He had had come a long way to this blue lawn, and his dream must have seemed so close that he could hardly fail to grasp it.  He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city; where the dark fields of the republic rolled on under the night.

Gatsby believed in the green light, the orgastic future that year by year recedes before us.  It eluded us then, but that’s no matter – to-morrow we will run faster, stretch out our arms farther… And one fine morning-

So we beat on, boats against the current, borne back ceaselessly into the past.”

Fitzgerald, Scott.  ”Chapter Nine.”  The Great Gatsby.

‘Chapter Three’ excerpt (ii)

Tuesday, March 17th, 2009

“Everyone suspects himself of at least one of the cardinal virtues, and this is mine: I am one of the few honest people that I have ever known.”

Fitzgerald, Scott.  ”Chapter Three.”  The Great Gatsby

Prologue excerpt (i)

Thursday, March 12th, 2009

“They say it came first from Africa, carried in the screams of the enslaved; that it was the death bane of the Tainos, uttered just as  one world perished and another began; that it was a demon drawn into Creation through the nightmare door that was cracked opn in the Antilles.  Fakú americanus, or more colloquially, fukú- generally a curse or a doom of some kind; specifically the Curse and the Doom of the New World.  Also called the fukú of the Admiral because the Admiral was both its midwife and one of its great European victims; despite “discovering” the New World the Admiral died miserable and syphilitic, hearing (dique) divine voices.  In Santo Domingo, the Land He Loved Best (what Oscar, at the end, would call the Ground Zero of the New World), the Admiral’s very name has become synonymous with both kinds of fukú, little and large; to say his name aloud or even to hear it is to invite calamity on the heads of you and yours.

No matter what its name or provenance, it is believed that the arrival of Europeans on Hispaniola unleashed the fukú on the world, and we’ve all been in the shit ever since.  Santo Domingo might be fukú’s Kilometer Zero, its port of entry, but we are all of us its children, whether we know it or not.”

Díaz, Junot.  Prologue.  The Brief Wondrous Life of Oscar Wao.